Friday, January 31, 2020

Outline for arts speech - story of Hamlet Essay Example for Free

Outline for arts speech story of Hamlet Essay IB TOK R3 1. Story of Hamlet A. Hamlet son of late king Claudius, mother remarried less than 2 months after her husbands death. B. Ghost of late king visits Hamlet and tells him that the new king murdered him. C. Hamlet lashes out at everyone around him, including his love Ophelia. D. Hamlet plots to kill king E. Hamlet stages a play called The Mousetrap, in which a king is murdered by his brother, who then takes up with his wife, Claudius freaked out and Hamlet Claudius is guilty. F. Hamlet visited his mother and derides her for taking up such man. G. Polonius, Ophelias father, hid himself in Gertrudes, Hamlets mother, room behind a curtain. When he calls out for help, Hamlet kills him thinking that it is the king. See more: outline format for essay H. Because of the murder, Hamlet is sent to England and when he returns to Elsinore, he sees a funeral-taking place, he finds that Ophelia has drowned. Her brother Laertes, blaming Hamlet for the death his father and sister, challenges Hamlet to a duel. I. At the duel, Laertes poisons his blade to make sure Hamlet will die. At the same time, Claudius inserts a poison pearl into a wine cup in hope that Hamlet will drink it. J. Every important character dies: Gertrude gets to the cup first, and dies. Laertes wounds Hamlet with the poison blade, Hamlet mortally wounds Laertes. Hamlet then finds out that Claudius put poison in the cup and he goes after the king and kills him. Then Hamlet lies down and dies. K. This play is often referred to as the one in which everybody dies. 2. Differences between the two A. Mel Gibson version directed by Franco Zeffirelli 1. Starts differently 2. Only 135 min. cut out huge sections. 3. High number of extra- King actually seems to have power 4. Color -can relate 5. Play-in-play with spoken words- much more importance- used by hamlet as proof. 6. Seemed to be made to retell an old story 7. Switched around to make it more entertaining 8. Said by a critic to be written for the masses a. short b. cut out dialogue- easier for common people to understand c. fun to watch B. Olivier as hamlet directed by himself 1. Starts as the play does 2. Less extras- King seems to rule no one 3. 155 min -missing huge sections 4. Play-in-play in mime less importance done to jab at the king and queen for what they have done 5. New interpretation of an old story 6. Black and White cannot relate to lack of color as well 7. Friends of Hamlet left out a. Rosencrantz and Guildenstern not in b. Allows Hamlet to be less insane 8. Better sword play- build more suspense as to who will win 9. Cinematography changes feeling Darker a. castle is dark and so is the sky, see more of the dark sky b. Humor is cut out 3. Differences in Hamlet A. Soliloquies in Olivier to self allows him to get closer to subjects, inner turmoil, in Zeffirelli it is out loud, insanity 1. Kill Claudius when praying 2. To be or not to be B. In Zeffirelli- acts much more insane- wild eyed, over the top. C. In Olivier- much more reserved, caustic when speaking. 4. Other differences in characters A. Queen Gertrude 1. In Olivier a. actress is 29 years old Olivier is 41- looks strange b. drinks the poison knowing that she will die- to save Hamlet, a noble death 2. In Zeffirelli a. Devastating and tragic death- didnt knew that the cup was poisoned, more of an impact on viewers. B. Ophelia 1. In Zeffirelli a. Completely mad, gives out bones and sticks and calls them flowers 2. Olivier a. Semi-mad, more out of it than insane C. Dead King 1. Zeffirelli a. King looks like he is alive and is just back visiting not freighting 2. Olivier a. Never see the face of the king, comes surrounded in fog b. Scary c. See the murder acted out 5. Conclusion A. Way the director influenced my perception of the story 1. Same story, many of the same lines, same characters, but different feelings emitted from both. a. Zeffirelli humorous, have fun watching it makes the ending more tragic more of a dramatic change b. Olivier is dark always fell that something terrible is going to happen end not as devastating c. Polonius: Words, words, words B. Olivier version constitutes what I believe to be a masterpiece when following Clarks definition from unit four of our book. 1. follows all of the guidelines a. The original play by Shakespeare that it is based off of fills the first 5 requirements as well as the last. b. Oliviers version creates the feeling of complete supremacy of the artists art. Whereas Zeffirellis is entertaining but not a masterpiece. c. Oliviers version won 5 Oscars, Zeffirellis, none. Show preview only

Thursday, January 23, 2020

sonnet 12 :: essays research papers

1. When I do count the clock that tells the time, 2. And see the brave day sunk in hideous night; 3. When I behold the violet past prime, 4. And sable curls, all silvered o'er with white; 5. When lofty trees I see barren of leaves, 6. Which erst from heat did canopy the herd, 7. And summer's green all girded up in sheaves, 8. Borne on the bier with white and bristly beard, 9. Then of thy beauty do I question make, 10. That thou among the wastes of time must go, 11. Since sweets and beauties do themselves forsake 12. And die as fast as they see others grow; 13. And nothing 'gainst Time's scythe can make defence 14. Save breed, to brave him when he takes thee hence. This sonnet is so famous that it almost makes commentary unessential. It will always be one of the best sonnets in the history of language. The lively and rapid passage of time, which brings every thing to an end, is described, not indeed in abundance, but with such noteworthy and overwhelming effect that humanity almost stares us in the face as we read it. The logic of the lines ends with the line itself is like the ticking of a clock or the unstoppable motion of a pendulum as it swings from side to side. The importance of the placing of this sonnet here (12) (I believe it’s because of the twelve hours of the day) as well as that of the 'minute' sonnet at (60) is hard to establish, but at the very least it points to an organized hand, which, like the clock itself, measures out the chain of important events as they occur. It is true, however, that it is not clear that we have Shakespeare’s order, so this is just my opinion. As for the forms of the sonnet, we are clear that it was definitely written by Shakespeare. A sonnet is a one-stanza poem of fourteen lines, written in iambic pentameter. One means to illustrate a verse line is to speak about how many stressed and unstressed syllables are in the line. A simple grouping of syllables, some stressed, some unstressed, is called a foot. The iambic foot is an unstressed syllable followed by a stressed syllable. Pentameter means there are five feet in the line. "Iambic Pentameter," subsequently, means a line of ten syllables, which interchanges unstressed and stressed syllables according to the iambic measure.

Wednesday, January 15, 2020

Philippe Halsman Essay

Philippe Halsman (2 May 1906 Riga, Latvia – 25 June 1979, New York City) was a portrait photographer who made major contributions to the world of modern movement in photography as a fine art. Although Halsman studied electrical engineering, he took up photography as a profession. Halsman left Austria for France. There he began his career as a photographer to fashion magazines such as Vogue and soon became one of the most reputed portrait photographers in France. By 1936, Halsman became one of the leading portrait photographers. His repute lay in the use of sharp, dark images rather than soft and mellowed focus of the old school. When France was attacked during World War II, Halsman eventually migrated to U. S. A , and lived there till death in 1979. In America, Halsman stepped into the world of fashion photography when his image of model Constance Ford was used by the cosmetics firm Elizabeth Arden in advertising â€Å"Victory Red† lipstick. Halsman could make a niche for himself in the photographs of the fashion magazines where his bold sharp portrait images could make a distinct departure from the earlier soft mellowed appearances. (PSGB, 1963) Halsman left his mark on fashion photography, through the many assignments that he took up over the years in various prestigious magazines; eventually he became the staff photographer for Life magazine, for which magazine he did more than one hundred covers, the first being the one portraying a model in a Lilly Dache hat. When Philippe Halsman’s portrait appeared on the cover of Life in 1942, it immediately reached a huge audience and created a major uproar. When Halsman joined Life, the magazine was young, and photojournalism was a new field, waiting to be explored, and Halsman embarked on the task diligently with his acumen of creating bright, sharp images. One of Halsman’s famous jump photos of Marilyn Monroe on the cover of Life magazine. (www. iphotocentral. com/†¦ /256/Philippe+Halsman) The photos of Albert Einstein taken in 1947 went on to become one of the most famous ones taken by Halsman. During the photography session, Einstein shared with him his regrets about his involvement with the United States in pursuing the atom bomb. This portrait was later used in 1966 on a U. S. postage stamp and in 1999, on the cover of Time Magazine, when Time named Einstein the â€Å"Person of the Century. † (Boni, 1962) Apart from the freshness and the new technique that he brought to portrait and fashion photography, Philippe Halsman’s contribution to the world of photography can be gauged in terms of the following focal areas: SURREALISM PSYCHOLOGICAL PORTRAITURE JUMPOLOGY SURREALISM: Though Philippe Halsman drew upon the works of surrealists, he could internalize the experiment within himself lending a distinctive edge to the evolving leitmotif, in terms of insertion of homely and uncannily disturbing details which held his subjects in a pictorial taut: his deep inroads into the surrealists’ delving of the erotic unconscious had gelled into his subconscious, making him combine so delicately the ordinates of sex, glamour and heightened energy, so synergistically, in the individual portraits of such sensual idols as Merilyn Monroe, Brigitte Bardot. In fact, an eminently rewarding outcome of a long and enduring friendship that he shared with the noted surrealist, Salvador Dali for over 3 decades in the early 20th century was a series of tableaux like Dali Atomicus, exploring the playful fantasies of an artist, his canvas, a bucket of water, cats appearing in a suspended flux. Halsman’s title of this photograph has indirect allusions to Dali’s work ‘Leda Atomica’. visible at the right end of the photograph, behind the cats. The degree of Halsman’s continuous striving for perfectionism can be gauged from one of his observations where he averred that he made 28 attempts before his final work could meet his stamp of approval. (ABC-CIS, 1976) Dali Atomicus (1948) by Halsman in an unretouched version, showing the devices which held up the various props and missing the painting in the frame on the easel. Another important collaborative effort between Dali and Halsman was seen in Voluptas Mors, a portrait of Dali near a verisimilitude of a skull composed of 7 interlocked nudes. Salvador Dali portrait, In Voluptas Mors (1951) In this joint effort Halsman assiduously exerted full 3 hours for arranging the models in terms of the sketch done by Dali. The posters for the films ‘Silence of the Lambs’ and ‘The Descent’ made use of the photographic version of Voluptas Mors, though in fairly subtle and not so subtle modes. (T-L Books, 1977) The master of surrealism, Salvador Dali had shared an intimate chemistry with Philippe Halsman. Dali habitually visualised the problems of creating and presenting the depth and intricacies of surrealist art and Halsman almost always managed to resolve these problems for him. ‘Voluptas Mors’ and ‘Dali Atomicus’ are only two examples of their collaborative endeavour that profoundly changed the outlook of the people towards photography as a form of fine art. (Halsman, 1989)

Tuesday, January 7, 2020

P1 Unit 3 - 1432 Words

In this assignment I will be comparing both Apple and Starbucks to find out how marketing techniques are used to market products. I will include an Ansoff’s Matrix, survival strategies, branding and relationship marketing. Marketing – is the process in which the producers of goods and services focus on satisfying the needs of the consumers. Also marketing is the social process by which individuals and groups obtain what they need and want through creating and exchanging products and value with others. Growth Strategies – is a strategy aimed at winning larger market share, even at the expense of short term earnings. These consist of 4 broad growth strategies: * Product Development – is the creation of products with new or different†¦show more content†¦| | Starbucks Ansoff Matrix Starbucks Ansoff Matrix Market Penetration | Product Development | They started selling Coffee in | Starbucks released a new and | the beginning. But their coffee | improved drink called ice | penetrates the marketing by | frappes but they have recently | pricing it cheaper than its | added new flavors like | competitors | chocolate and strawberry | Market Development | Diversification | Starbucks started there | Starbucks recently purchased | company on the west coast | a tea selling shop called | of the USA but now it is know | Teavana in order to dominate | all over the world as one of | the tea industry as well as they | the best coffee houses right | have done with the coffee one. | now | | Branding is important in every single business. It makes them have an image that everyone can recognise. For example Apple’s apple that has a bit taken from it or McDonalds massive yellow M. All branding is unique to each company at it creates the image for the business. So when you want to eat and see the burger king logo then that will entice you to go and buy and product from them. 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